The transforming power of music is bounded to transmit, in an honest way, its inexhaustible truth.

Álvaro Albiach


Press and testimonials


Between French and German

“Albiach gave a great concert and proved that he is a first-rate conductor”

Nacional de España Orchestra
Auditorio Nacional, Madrid

Music by María de Pablos, Joaquín Turina, Conrado del Campo and Richard Wagner

Tomás Marco


The pull of the spanish

“Albiach appeared to be a firm and clear conductor with a solidly established and clearly conveyed concept”

Nacional de España Orchestra
Rafael Aguirre, guitar
Auditorio Nacional, Madrid

Music by Isaac Albéniz, Joaquín Rodrigo, Richard Strauss and Manuel de Falla

Rafael Ortega Basagoiti


In a valencian universal tone

“Albiach is a competent, conscientious conductor with a lot of professional experience and know-how”

Orquesta de Valencia
Xavier Torres, piano
Teatro Principal, Valencia

Music by Francisco Llácer Pla and Felix Mendelssohn

Justo Romero


From dawn to sunset

“Albiach’s work is admirable”

Nacional de España Orchestra
Jan Lisiecki, piano
Auditorio Nacional, Madrid

Music by Díaz de la Fuente, Felix Mendelssohn and Gustav Mahler

Tomás Marco


Generalitat of Valencia Youth Orchestra

Óscar Colomina. The Blue Fask. Clothes Crying Slow
Johannes Brahms. Violin concerto in d
Igor Stravinsky. The Firebird, suite. 1945 version

Vicente Huerta, violin

July 20th. Adda, Alacant
July 21st. Palau de les Arts, Valencia
July 22nd. Llíria Festival

Simfónica de Balears. Roma

Nino Rota. La Strada, suite 1 & 2
Ottorino Respighi. Roman Festivals
Ottorino Respighi. Fountains of Rome
Ottorino Respighi. Pines of Rome

Trui Teatre

May 2022, 12th

Orquesta Nacional de España. Focus Festival

María de Pablos. Castilla, symphonic poem
Joaquín Turina. Ritmos, choreographic fantasy
Richard Wagner. Tristan and Isolde, prelude
Conrado del Campo. Divina Commedia, Inferno
Richard Wagner. Parsifal, prelude

National Auditorium, Madrid

May 2022, 6th

As conductor

Communicating to the public the message that underlies the score is my main interest when I face a program.

The authenticity of the message, the involvement of the orchestra and making the audience part of it is my goal as a director.